long-awaited long player from the slavic spiritual warrior vakula. 3 x 180g 12 inch vinyl, double gatefold lp with hand pulled silk screen artwork by house of traps

dont wait for yonks! nail returns with the yonks ep on sheffields shabby doll label. just what is house musics secret? what has enabled it to disperse its genes throughout contemporary music while still staying true to itself and remaining, frankly, irresistible? if there is one man who appears to possess the answer – or who at least has access to the secret vault where the formulas kept – it is nail.

continuing his extraordinarily productive 2013, the industrious daniel steinberg returns once again, still riding high off of the success of his critically acclaimed sophomore album treptow which was released mere months ago. despite being profiled on pete tongs show as one to watch in early may, hes certainly not been resting on his laurels

nach ihrem durchaus gelungenen und erfolgreichen debütalbum *hunger* (top 40 uk-charts), haben die fünf jungs von frankie & the heartstrings ihr zweitwerk fertiggestellt. ihr großartiges nachfolgewerk *the days run away* wurde produziert und aufgenommen vom suede-mitglied bernard butler, der auch bereits 2011 an dem stück *everybody looks better (in the right way)* mitgearbeitet hat. die lp erscheint inklusive cd-version des albums.

standard lp 2x12lp in standard gatefold + poster (90x60cm) + cd!

three previously unheard tunes elewhere... composed specially for acid night, after pzylos venue last year at the party... kaiken brings a big acidcore sound, loud and fat, 160 bpm. cyclic dica is the downtempo 134 bpm hard techno acid track. rare style and bloody effiicient & agressive, but still funky enough to groove you away! ... acid shock is more mental, 145 bpm hardcore beat (doom acid?). superb progression growing up to madness!

achim maerz takes electronic abstraction back to a state of organic harmony and rythm. his ep >long time no see< reveals a soundscape of intimacy and evolving grooves. reduction broadens its horizon. all sounds are carefully placed and a sustaining atmosphere keeps developing from song to song. still each one is an individual scenery of its own. >keys of my soul< delicatly moves through wide rooms while >shake, shake, shake< leads closer to the core of groove. the backbeat driven >system< already possesses a pushing groove which mutualy connects it to >long time no see< with its warm pulsating baseline. achim maerz approach to house shows how much is possible if self-limitation leads to creativity.

for the first time ever, the ives brothers cult debut album is reissued, here in remastered format. spread across 13 folk electro-acoustic pieces, an english love ode mixed with a melonconic darkness that transcends any simple happy-hippy pigeon-holing to offer much more. emotional rescue is delighted to announce welcoming the enigmatic, electro-acoustic duo woo to the roster.

for the fifth release on roots for bloom, michael james delivers 3 bumping cuts of very much dance floor orientated music. the opener infinite state gets you moving straight from the off with some edgy stabs and serious groove. high roller carries on where the a1 lets off upping the tempo but maintaining the direction. the b side freeze is a more techno influenced track, but still hold that underlying groove.

after appearances in the last 12 months across world unknown, lets play house, endless flight and futureboogie, geordie trouble starters last waltz add tusk wax to their canon of labels with the first of two releases. the usual hand stamped, individually numbered, weighty 180g vinyl factors are present and correct yet there is still room for the concluding chapter in the sleeve. the thrusting, lusting glamour things isnt shy, pairing motorboat arpeggios with satisfyingly weighty drums, whilst the detuned tipping the gulf tumbles along with a certain lopsided glee. an accompanying jamie blanco remix ramps up the originals lead synths with decidedly epic cosmic results, whilst beholden (part 1) sees last waltz play with the work of foals in calming, cosmiche fashion.

coming correct from deep within the london scene, jonno & tommo consummate their production partnership with a return to ornate to delve further into the hypnotic, soulful end of the house spectrum. close the door stretches across the a-side of their new release, the tough demeanour of the drum-heavy intro giving way to a serene pad arrangement, setting the tone for a starlit workout bolstered by an infectious hook of dusty vocal and subtle sonic decoration that accentuates the groove. small stone represents a more reflective mood on the flip, steadily feeding in reams of rhythm and melody before fully blossoming into an equally seductive, bumping jam laced with a perfectly pitched acid line that nestles into the cosy confines of the track.secret weapon of the capitals underground house fraternity, miles sagnia steps up with a simmering remix of small stone that keeps the tension high and the textures roaming through a decidedly futuristic soundscape, while still retaining the ethereal tone of the original.

after 10 years of existence in berlins ambitious music scene, golden gate club has achieved cult status in his own right through out the world. it is a very special place with its own living soul. yet a small venue it shows a high profile, distinct character and a very original and authentic spirit. to manifest this state, the golden gate club establishes ist own record label >ggcr<. the opening release carries the characteristic name >golden era< by swedish dj and producer anders hellberg. still a new member of the underground, his style strikingly represents what golden gate stands for. namely an impassioned, intense and organic sound with high recognition value. four tracks with the same ingredients but different prescriptions. an analog production through and through, with 303 based rhythms and blazing 80s pads. very intense and haunting but still guarding a sweet and hypnotic atmosphere.

as guy gerbers new season wisdom of the glove party at pacha ibiza proceeds with unstoppable momentum, it would appear that the man of the moment still finds time to discover high quality, arresting releases for his supplement facts label. the latest ep, paint it black, comes courtesy of an electric collaboration that recently proved its worth on a remix for alland byallos bygones release for thoughtless music. usa based duo h-foundation and switzerlands david durango join forces on this tech house two tracker, which sees the artists explore the more dissident edges of the genre.

new yorker steve moore crushes summer with this one, hot on the heels of his recent lies record.these are songs for the next day people, music for those still dedicated to after daylight hits.zen spiders heads for the outback with cresting waves and eureka moments set against a blinking synth sculpture. on the flip, lwaxana turns slow motion into no motion at all as the track hovers and forms into a cloud, at sleaze tempo. in a way, this 12inch finds steve expanding in the mode of his volatile memory track off our recent vibe 2 compilation. feel the sun on your face all day. tip!the sound clips are unmastered

ein ganzes jahr ist seit dem letzten release der beiden suol-macher chopstick & johnjon vergangen. mit der roots ep schicken sie nun den ersten vorboten ihres angekündigten debüt-albums in die welt hinaus. gesangliche unterstützung leistet hier signaljacker von der uk-band stateless (ninja tune, k7). zwei verschiedene mixe gibt es vom titeltrack - der originalmix kommt melancholisch daher, während der alternative mix sommerliche leichtigkeit versprüht. außerdem enthalten ist mit still breathing ein track, der die beiden berliner so deep und dubbig zeigt wie nie zuvor.

without trying to making it into a thing in its own right, there is a bit of a coincidence that is appearing for some of our houndstooth artists. following dylan richards chrysalis-like metamorphosis into house of black lanterns, alec storey is the latest artist to shift phase and re-christen his output after signing to our label, progressing from the al tourettes moniker in favour of the more becoming, second storey. whilst his new name might be in homage to the musical path set forth for him by his father, the four-track margosa heights ep sounds very little like anything you have heard from the bristol based producer before.

deep in the caverns underneath shibuya district in tokyo there is one of the most debouched club nights the city has ever scene. this night known only as mass has been a stalwart of techno for over 10 years and is still going strong. the label mass united is the bastard child of the club night and on this release features k.n., cydeboard, dj 2.003 and yoshinori, the crazed cosmonauts that spin the tracks that define the club night. this release is step inside that world with deep and mad styles over club floor beats.

future sickness records presents his 17th vinyl release. this time future sickness welcomes detest to the family! this record represents the whole range of typical detest sound in two tracks. dark, raw, varied , straight and always mixed with breaks. both tracks possess melodies, atmospheric synths, deep basslines, flogging snares and a package full of sick kickdrums. they are still 2 complete different crossbreed tracks. the sound quality of the tracks are clear, loud and dominant. no doubt one of the best works of detest yet. this release is an instant dancefloor banger!

a quick listen to the radio suggests that disco is back, not that it ever went away here at retrospective and over the past few months we have been proud to work with some of the biggest names on the scene including heion, hardway bros and ajello. still there is certainly something in the air and so what better time to welcome back to the labels spanish king of the re-edits, rayko, with a stunning new 4 track ep.

the flames still burn white hot on friedas musics first record. this seems to be no reason not to throw more explosives on top. with the elephant carousel ep the second label maker don ramon inspires a dance carousel that makes even the most peaceful pachyderms on friedas soil rotate. all four tracks are infectious to body and soul. each for itself an original. all four tracks extensively tested on the party crowd by aunt friedas nephew. rather in a club night or at a funny after hour- hands were in the air and the corner of the mouths were rising high. a very special delight for the friends of the upper class reduction surely is the argenis britos remix of the track wild goats. all in all definitely an ep that streches the trunk in the sky!

four mindbending & spiritual acid sessions by mighty mr. moss aka hieroglyphic being, reconnecting the children of earth once more with the ongoing bio rhythm of dharma, the regulatory order of the universe and the ever & omnipresent sacred spirit of jack. this will move ya. warning: the label will not be held responsible for proprioceptive mass hallucination, neurological disorder or religious revelations of any kind, after playing these tracks out loud. are you still with us?

celebrating its 30th anniversary and still leading the way in synth-rock, multi-million selling eleminator comes back as high-quality reissue on heavyweight 180 gram vinyl.

all 10 releases + brand new dpk11!! dapayk solo is a studio workaholic and he strikes a blow for vinyl. in 2009 he started his very own vinyl only series called dpk, next to his well established labels mo s ferry, fenou and rrygular. the idea was to present vinyl in striking colours as a special format for his liveset tracks and beloved edits by artists such as format:b, super flu, sascha braemer and jon hester. it s a feast for the eyes and the ears all in one. now, four years later and after reaching #10 of the series, dapayk decided to compile all tracks in a collectors box. in addition to the previously released records he also included the brand new dpk #11 with a remix by aka aka. this big bundle contains 23 tracks and ranges from minimalistic to funfair tunes and also some edgy b-sides.

its often said that sequels never live up to their originals but, in this case, wed like to take a slightly different stance. the ingredients might have changed however, the recipe is still the same as we introduce the sequel that is greater than equal - supplement deux. four more slices of organically grown, 100% authentic house music from the mind of ny house icon - the nathaniel x project.

dj legend, producer icon, avant-gardist, pioneer. only few influenced the music scene of the past 28 years as deeply as pascal feos. he is responsible for 4 solo albums, over 200 releases and hundreds of remixes. still his hunger for sound experiments is satisfied by no means. although it has been a bit quiet around him in the past few months, you might rather call this the quiet before the storm. feos wouldnt be feos, if it wouldnt have been for him to have his fingers on controllers and knobs on a daily basis, creating and tweaking new sounds. finally the time has come. pascal is back, and he gentlemanly wrapped up a present for you, marked departed 2 return. what is in it? not only feos fifth album, but also a musical answer to the question what he has experienced and what he had to go through in these three creative and self-reflecting years of his musical hiatus.

since the release of his impressive debut album, rush of the moment, on our x-series, agazzi continues to deliver innovative music and to develop his sound in new directions. the album received a warm reception from the music scene and confirmed aggazi as an artist who always pushes his concept and vision to the next level. in accordance, agazzi is now experimenting with several exciting and fresh collaborations. it was from one of these collaborations that ex terrestre was born, a project that brings us 2 expansive mixes with daniele papini that re-interpret modern techno-swing. to give the boost to this ep we asked to our extremely talented sonja moonear to rework a still unreleased agazzi tracks.

nice price deal !!! a super strong, well rounded ep from secretsundaze that re-affirms john dalys love for vintage sounds yet still appealing to todays dance floors

ltd 2013 repress
prime numbers return with m7. the first side is taken by a remix of wireman’s >armour<, the original of which was included on pn04 released at the end of last year. the remix is from move d (deep space network, source records), he ups the tempo and in trademark fashion softens the surfaces of the original, warming the core of the track whilst creating a bass heavy groove with twisting beats, synths and a husky hypnotic vocal sample. the flip includes two tracks. to start we have >crushed< by actress. darren j. cunningham aka actress runs the much lauded werk records and this track is taken from his limited cd only album >hazyville< (released on werk in the autumn of last year ) >crushed< is slo-mo, extra bass heavy, low slung house with an addictive lofi synth riff and submerged strings. the track bumps along with hiss and crackle to good affect before turning into a badalamenti-esque loop to finish. to round things off be, the up & coming manchester based producer provides >when you left<. be cut his teeth with the chicago based still music and a great al hudson reedit which found extensive dj support on its release. >when you left< is a shuffling downbeat house groove with a jazz sentiment featuring deep rhodes keys and clipped drums, the track breaks up into a bluesy accapella section then builds up to a more direct 4/4 groove to the end

the 909, the drum machine that has shaped the dance floor in the last few couple of decades, is still leading the underground sound. in this e.p. tino venditti, dj producer based in rome, goes through the sound 90 thus exploiting the wake of 909, adding a pinch of electronics

herrmutt lobby is back for more. their third release on eat concrete (one as bretzel zoo) reveals a more soulful and laidback sound then ever before. the new haters gonna hate ep reaches beyond their previous material but still comes with their own style of improvised beats, lowend bumpers and weird time signatures.

ltd 180gr vinyl repress
after their hot contributions for treats vol. 2, session victim prove indeed that they are on the roll with a funkafied and no holds barred ep that pays homage to their hip-hop roots. move me so starts rather simply, with just a guitar and a vocal, but you can hear a moving bassline and distant rhodes chords creeping up from the background. two minutes into the track and theres still no kick drum, although the level of excitement produced by the magnetic groove is almost unbearable. a filtered drum break finally gives way to a four to the floor beat that should turn any dancefloor into a frenetic party. the track builds with high energy, as the pounding bassline seems to be directly lifted from an early 90s hip-hop classic. the breakdown sees the vocal/guitar loop being played differently until the second part shifts gear and brings more surprises in the mix with the intro rhodes chords coming in and out.

almost exactly three years after the first, redshape has readied his second red pack, due for co release by his own present imprint alongside his frequent dutch home, delsin. whilst the world is still enjoying the germans latest album square, the man himself has typically moved on once more. on red pack ii he offers up six tracks new of hugely atmospheric and romantically industrial techno across two pieces of vinyl.

2x12inch lp in deluxe gatefold replica covered by screen printed fabric + poster (90x60cm) + cd led by busy p - aka baseball capped, head honcho pedro winter - ed banger records have risen from low key parisian rock n roll cool to become one of global clublands most colourful and recognizable music outlets.

ryan elliott presents his second 12 inch ep for ostgut ton. his groovy us-sound is still present in these new productions and the stepmode ep builds a bridge between euphoria and darkish club moments.

ohm tribal tone, need we say more? first released on hubba hubba back in 92, still sounds as relevant today as it did in the clubs back then. still caned by house djs du jour from bicep to andrew weatherall to pete tong.

superb reissue of ron trent s all-time deep techno classic altered states. made when he was still school-age, and released in 1990 on armandos seminal warehouse label, this record was an immediate underground club hit, turning ron into a local hero, kickstarting his hugely successful production and djing career and making him probably the only chicago house producer to rate one of the best techno singles of all time! this classic acid workout is stunning in its simplicity and has been described as one of the most perfect and moving tracks ever heard. the other tracks are also very beautiful in their own right despite having been overshadowed by the epic altered states - the afterlife was included on dj hells x-mix-5. all tracks digitally remastered for superb sound quality

fantastic new compilation from sunkissed records features four balearic rarities from the great late 70s early 80s dutch new wave groovers flash & the pan all of which received heavy rotation at the original ibiza parties. kicks off with the full 12 inch version of one of dj alfredos amnesia anthems, the brilliant low slung >midnight man< followed by the bass-driven slo-mo disco groove of >hole in the middle< taken from their 1978 self titled debut lp. on the b-side we get the hard to find disco mix of >waiting for a train< a huge favourite of dj harvey who also featured the last track >walking in the rain< on his critically acclaimed summer beach set mix from a few years back. essential slices of balearic history that still sound fresh today

brother jt is central, pa’s john terlesky whose freewheeling boundless music has been released under many different monikers: brother jt & vibrolux, brother jt3 and most commonly brother jt. he has worked with an impressive roster of tastemakers such as drag city, siltbreeze, birdman, and drunken fish. brother jt is a moniker that finds terleskys songwriting and ample guitar skills taking a decidedly psychedelic form but never deviating too far from the classic song structure.

the mysterious detroitrocketscience project is back for a third vinyl-only excursion into deep space, with two more cosmic journeys. the sub-space signals and minimalism and heartbeat intro of zeta-reticuli 4 give way to deep, introspective strings as we journey through the interstellar gate to our titular destination, a class-m world in the zeta-reticuli system. cosmic. meanwhile on the b-side, the melancholy-yet-minimal xetra takes the listener ever deeper into unexplored, zero-gravity soundtrack realms while still retaining its requisite, earth-based, (neo-) detroit-style machine soul.

20 years ago the track *unfuture*, release on sven väths imprint eye q, marked a milestone in techno productions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has! alex grabbed the vinyl out of his vinyl-collection after years, did an edit for his own, sent it to pascal feos who produced the original back then and who really liked this edit and the idea in general, and so alex decided to start a remixproject on this pure classic track with young, but also established artists who were not afraid of taking the adventure to remix a track that actually consists of nothing more than a distorted kickdrum, a really monotone off-beat organ sound and an oldschool acidline. here we are with the first part of the repaints of this alltime-classic, coming from uk techno-heavywight and legend mark broom with two interpretation as well as berlins uprising and promising vault-series mastermind subjected. true and high class recycling again on credo to save our planet from bad music

2015 repress four shady but sexy house cuts on the mighty viewlexxx, still going strong...

the warning we all here at cocoon still remember their label-debut as a duo. timeless and kickin tech-house with hands-up-energy and potential to set dance floors on fire - until today!

still fresh from his debut full length traces last year, delta dunktionen is back with his first ep of the year. as well a new track, it features a special karenn remix of onkalo, a track previously released on traces, as well as challenger from the same album. ltd edition!

d.fine is a young house music producer from bordeaux, france. his house renditions of popular hip- hop songs like asap rockys *wassup*, mercy, and the weekns zone are what originally garnered him the attention that he is currently enjoying. foul & sunk is hosting the three-track ep from d.fine titled backyard slated for release next month. the melody he creates with synth over not-so-unusual house beat arrangements, his very own bass, the rap gimmicks hes still fond of, and the smooth atmosphere he is putting us into you will recognize for sure. foul & sunk label head shaddy is delivering the remix to elle..

only vinyl pure hypnosis! fabrizio lapiana still shows all his passion for the musical journey. as the title of this ep confirms, hearing this release you enter a tunnel of refined sounds and post modern atmospheres. getting out will be very difficult.

sure, you are still playing part one remakes by shifted, lucy and developer and suddenly here comes the second instalment of the series. this time the line up is awesome, starring xhin, perc and orphx.

of course the acid rebirth is the masterpiece here, in a sense. a bloody good reprise, totally replayed with hardware of the rebirth from jones and stenfenson on bonzai. finishing on a big frustration: still some work for the dj! but also with the interstellar delivery, mr gasmask brings a superb techno trance tune. at least afx fans will enjoy the last tune, the arboria tribute:a superb acid broken stuff, in the pure oldschool tradition of this owesome style. 200 copy limited!

mike storm comes from the underground scene of the 072 area in the netherlands. in the late 90s he started as a dj, soon he moved from turntables to his first equipment and started performing live-sets on various local partys. while the underground scene was highly involved electro and techno music, mike learned from it’s established djs & producers and how to work with analog equipment. as of this day, he still produces his tracks still without any computer sequencer. mike storm is most of all inspired by the sound from detroit and minimal dark techno and his biggest passion is performing live on stage. in 2012 mikes coming out of the underground scene and sees his music is being appreciated by the likes of jeff mills and dimi angelis. both djs frequently use his tracks in their sets.

second 12 inch in the testpressing series, hand-stamped sleeve including insert with artwork by alex solman. mastered and cut by matt colton at alchemy, pressed at pallas so here we are at part two in the series: grows without bound on the a-side is a monster, a noisy analogue session resurrected from the burning embers of industrial and noise, harnessed into an unstable growl that slowly makes room for a barely-there percussive stumble - think somewhere between vainio and nate young. over on the flipside primitive equations takes for inspiration the bare-boned, hyper-tense production of photeks still devastating ni-ten-ichi-ryu, slugging out feral, steely noise and ardcore torque forged by calloused hands and burning minds to cruel, propulsive effect.